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Past a magnificent railway station, and through a manufacturing district of tall furnaces, we came to the quiet country and the Ganges, bordered with gardens, where creepers in flower hang over the muddy stream stained with iridescent grease and soot.At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architravesall part of the solid rockthere is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.
ONE:And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was brokenthe creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.

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TWO:[Pg 136]
THREE:The coachman we engaged at the station was a giant, with an olive skin and a huge, pale pink turban. He was clad in stuffs so thin that on his box, against the light, we could see the shape of his body through the thickness of five or six tunics that he wore one over another.
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THREE:In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.
THREE:"And is that all?"

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THREE:Some native lancers were man?uvring; they charged at top speed in a swirl of golden dust, which transfigured their movements, making them look as though they did not touch the earth, but were riding on the clouds. They swept lightly past, almost diaphanous, the colour of their yellow khaki uniforms mingling with the ochre sand; and then, not ten yards off, they stopped short, with astonishing precision, like an apparition. Their lances quivered for an instant, a flash of steel sparks against the skya salute to the Maharajahand then they were as motionless as statues.

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TWO:There was at the top of the temple a sarcophagus in a shrine, on which were masses of impalpable silk gauze embroidered with gold, which looked like a peacock's breast, so subtle were the transparent colours lying one above anothergreen, blue, and yellow predominating, gauze so light that the slightest breath set it floating in glistening and changing hues; and on the snowy white pavement of the floor was strewn a carpet of very pale lilac lilies and mindi flowers.

Built with Bootstrap 3

Built for all levels of expertise, whether you need simple pages or complex ones, creating something incredible with Marco is an effortless and intuitive process.

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We’ve taken great care to ensure that Marco is fully retina-ready. So it’ll look good on any retina display. We use retina.js to ensure the best view.

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Marco fits any device handsomely. We tested our theme in major devices and browsers. Check it out and test it before buy it on responsinator.com.

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THREE:Beyond the outermost wall, when we had at last left it behind us, at the foot of the pile of terra-cotta-coloured bricks, were vast tanks of stagnant water, said to be inexhaustible. Near them was a shrine to Siva, with two small idols hung with yellow flowers, where an old Hindoo was praying devoutly; and then through a park of giant trees, and shrubs bright with strange blossoms, over which the parrots flew screaming.In the sleeping town of Darjeeling a bell and drum were sounding to announce the Tibetan Christmas. The Brahmin paradise remained invisible and mysterious behind a clear sky studded with stars.
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TWO:Firmly erect in military attitudes, they moved like one man. All without exception turn out capital soldiers.

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TWO:Stations for prayer stand all along the road; little open shrines, where footprints are worshipped, stamped on flags of white marble, a large footprint surrounded by a dozen of a child's foot.In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildingsperfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.

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THREE:On the bank of the river, where there are no more steps, only beaten earth, in a little raised pit a pile of wood was slowly dying out. A man with[Pg 166] a cane raked back the sticks as they fell and rolled away. A squatting crowd were waiting till their relation was altogether consumed to cast his ashes on the sacred waters.
THREE:Outside the town of Delhi a road bordered by great trees leads across the white plain, all strewn with temples and tombs, to Khoutab, the ancient capital of the Mogulsa dead city, where the ruins still standing in many places speak of a past of unimaginable splendour. There is a colossal tower of red masonry that springs from the soil with no basement; it is reeded from top to bottom, gradually growing thinner as it rises, with fillets of letters in relief, and balconies on brackets as light as ribbands alternating to the top. It is an enormous mass of red stone, which the ages have scarcely discoloured,[Pg 219] and was built by Khoutab-Oudeen Eibek to commemorate his victory over the Sultan Pithri-Raj, the triumph of Islam over Brahminism.

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And so on, in an endless file, come the bodies of the faithful dead, some from long distances, so that their souls may rise at once to paradise from their ashes burnt on the Manumenka.[Pg 270]The sultan's bath is lined with panels of lapis lazuli framed in gold, and inlaid with [Pg 210]mother-of-pearl, or looking-glass, and the walls have little hollow niches for lamps, over which the water fell in a shower into a bath with a decoration of scroll-work. And in front of Jehangir's room, again a series of basins hollowed in the steps of a broad marble stair, where a stream of water fell from one to another.So at last the door was opened.
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